According to the internet, where truth reigns ::sarcasm:: the color blue is the favorite child across gender, ethnicity and culture. In one survey conducted in 10 countries over 4 continents, blue came out the overwhelming winner every time (brown, not so much)
I like green. I don’t dislike blue. It’s just that green has so much more to offer…like, yellow (see what I did there?) Compositionally, green is an Everyman; holding it’s own, yet plays well with others. Green has the ability to function in the foreground as well as the background…because, yellow.
My love of green has never been a secret (neither has my annoyance with the overuse of blue) I’ve been known to base a decision solely on the availability of green. And then…and then in the ceramic world there is celadon (ah, yes) A traditional celadon glaze is characterized by a soft gray-green color resulting from firing iron oxide in a reduction atmosphere*.
In my forth semester as an undergraduate in ceramics, our assignment was to design, create and fire dinnerware for eight, including service pieces. The set would require at least 50 some-odd pieces and a lot of prayer to finish with enough surviving work to complete the assignment. My first solo firing of the kiln would be the culmination of this semester’s work – with my entire dinnerware set inside (eek!)
I went about making my dinnerware with an iron rich, toasty clay decorated with a white slipped rim that just cried out for celadon.
Some of you are already ahead of me, here. What was I thinking?
My first solo firing.
The kiln loaded with my entire semester’s work.
I chose a glaze that is dependent on a specific firing atmosphere.
When you don’t know what you don’t know, you occasionally find yourself in a pickle. More often – no…most often, novice potters focus on the making rather than the finishing (there’s your pickle)
I’m a little beyond novice these days. Still love celadons. In fact, I’ve recently committed to develop a family of celadon glazes for my functional work. Firing in oxidation**, celadon really just refers to green(s) since oxidation eliminates the mystery of the iron-in-reduction-resulting-green. My hope in developing related celadons is to approximate the beauty of the subtle surface variation I saw when I opened the door of my first solo firing.
* reduction atmosphere = creating a surplus of carbon in the firing kiln
**oxidation atmosphere = preventing a surplus of carbon in the firing kiln